Suspiriorum Magazine

  IN QUESTO NUMERO: Suspiriorum al Salone Internazionale del libro di Torino con il Centro Studi e Ricerche di Bibliofilia “Bibliophiles” Catalogo Suspiriorum - n. 23 De spectris lemuribus et magnis atque insolitis fragoribus, variisque praefagitionibus, quae plerunque obitum hominum […] Catalogo Suspiriorum - n. 33  Grimoire du pape Honorius, avec un recueil des plus rares secrets Interview by Lauren Seeley Dr. Paul Koudounaris Dracula by Bram Stoker  The Novel That Created the  Modern Vampire Myth Annabelle: The demonic doll  that terrified the world Suspiriorum a cura di Lauren Seeley e Adelino Di Marino https://online.fliphtml5.com/tmbbc/Suspiriorum-magazine-2/#p=1

ONLINE IL PRIMO NUMERO DI SUSPIRIORUM - IL BOLLETTINO D'INFORMAZIONE Accedi :  https://online.fliphtml5.com/tmbbc/rxfy/#p=1 IN QUESTO NUMERO: DONNE E OCCULTISMO MARGINALIZZAZIONE, TRASMISSIONE  DEL SAPERE E RILETTURA STORIOGRAFICA MAGDELAINE BAVENT LA STREGA DI LOUVIERS IL VIAGGIO INIZIATICO DI  ARIANNA NEL LABIRINTO  DELL’ESSERE I SEGRETI DELLA SIGNORA ISABELLA CORTESE CATALOGO SUSPIRIORUM  MIKE EGAN INTERVIEW FRANKENSTEIN  BY MARY SHELLEY  AND THE FIRST ITALIAN EDITION  LA CASA DELLE STREGHE RECENSIONI BETWEEN INVESTIGATION, TESTIMONY, AND NARRATIVE CONSTRUCTION:  THE ENFIELD POLTERGEIST CASE AND THE INTERVENTION OF THE WARRENS

We're thrilled to have Lauren Seeley join our team of independent researchers! She'll bring us into the world of the afterlife with her expertise and introduce us to the wonderful world of @silentbookclubofdeathnyc!

    ACCEDI ALLO STORE ONLINE DI AHH SWEET DEATH ART  BY LAUREN SEELEY FROM NEW YORK CITY https://www.etsy.com/shop/AhhSweetDeathArt?dd_referrer=https%3A%2F%2Fbibliophiles.eu%2F

The Costume of Fear: The Plague Doctor Year: 1656. Rome and Perugia are ravaged by yet another deadly outbreak of the plague. To face the contagion, doctors appear in what is now one of the most iconic and eerie outfits in medical history. The beak, stuffed with aromatic herbs and spices, was meant to purify the “poisoned” air. The waxed coat and gloves were designed to prevent skin contact. The glass eyepieces shielded the eyes, while the cane allowed examination of patients from a distance. Printed by Sebastiano Zecchini, this image offers a rare glimpse into how medicine, fear, and superstition collided in the early modern world. In a time when miasmas, bad air, were believed to spread disease, this strange figure became the very symbol of the plague: ominous, ghostly, yet essential.